Wednesday, 28 September 2011

Codes and Conventions of the Documentary Genre

After watching a number of different documentaries, I was able to summarise what the different codes and conventions of the documentary genre were; things that were present in all or at least most documentaries ranging from features of interviews to graphics. By listing these, I would be able to use my list as a sort of check-list for when I was producing my own documentary - by using a large amount of codes and conventions that are featured in professional documentaries, I would be able to make my own documentary appear to be more professional. The list of codes and conventions of the documentary genre that I produced can be seen here.  

  • Interviews
  • Variation of camera angles
  • Voice of God; the influence of the narrator on the audience
  • Cutaways
  • Reconstructions of a particular event in relation to the topic of documentary
  • Archive Footage
  • Trend/Themes that are explored within the narrative
  • Linear Narrative to make it easy to understand
  • Leaves question for the audience to answer
  • Music Bed throughout certain sections of the documentary
  • Credits/Titles to introduce the documentary or an interviewee in an interview
  • Graphics 
  • Diegetic/Non Diegetic sound
  • Audience never hear questions asked
  • Dramatisation
  • The interviewee never looks into the camera. Always at interviewer.
  • Argument/Conflict that usually strengthens in the middle
  • Snappy transitions
  • Alters position of each interviewee
  • Camera angles often used to inflict opinion
  • Shot on location
  • Graphic's font and colour doesn't distract from the subject.
  • Font of graphic often relates to the documentaries theme.
  • Each person is introduced
  • Use of Green screens or projected background
  • Clear Narrative
  • Interviews always interrupted to make it interesting
  • Vox Pops: The voice of the community
  • Actual Footage
  • Match on Action
  • Fact against opinion
  • Sound effects
  • Influencing camera angles
  • No questions answered on screen
  • Rule of thirds
  • Eyeline Match
  • Continuety editing
  • Dramatisation
  • Montage of clips (usually at the beginning of the narrative)
  • Experts as evidence
  • Observations
  • Witnesses
  • Ambient sound of surrounding environment
  • Unbiased opinion through the exposition
  • Variety of interviews to display the different opinions
  • Graphics at the bottom of the screen; easy to read and not distracting

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